Introduction of Linda Sue Park at the Kerlan

Today was pretty fabulous! I got to introduce Linda Sue Park at the Kerlan Award ceremony! When you read my speech (below), you’ll understand why I’d been waiting practically my whole life to do this 🙂

Today was Baby D’s first children’s literature event, and she handled it like a pro. Jeff brought her early enough so we could nurse before all the festivities began, and then she stayed awake and smiled through lunch as she met my students, colleagues, and friends. Linda Sue and Kate DiCamillo were very gracious and took a photo with Baby D and me, and she also got a photo with the wonderful John Coy, who chaired this year’s Kerlan Award committee.

I’m posting my speech here in case you’re interested. Linda Sue’s speech will be filed at the UMN Children’s Literature Research Collection so you can visit and read it there.

2014 March 29 Kerlan Award Linda Sue Park introductory remarks

By Sarah Park Dahlen

Hello. My name is Sarah Park Dahlen and it is my honor to introduce our 2014 Kerlan Award winner Linda Sue Park. You may be wondering, so I’ll just tell you now: we are not related 🙂 Actually, we might be, if we go back far enough.

In 2002, I was in graduate school and learned that a Korean American author had just for the first time ever won the Newbery Award, and it was for an historical fiction novel set in Korea. I was a history major; I studied Korean history; I loved children’s literature; I’m Korean American; and I really, really, really wanted a celadon vase. It was too perfect. I had grown up without ever seeing a Korean person in literature, so when I learned about and read A Single Shard, I was blown away. This novel was one of the reasons I decided to get my Ph.D. to study Korean American children’s books. Soon after, Linda Sue came to Los Angeles’ Pio Pico Koreatown’s Public Library, and I got to meet her. Since then, I have taken advantage of every opportunity, attending all her book signings and chasing her down at conferences. It paid off – a few years ago, she invited me to have breakfast.

Linda Sue is the author of at least twenty books for young people. Her historical fiction novel has garnered the most prestigious award, and her other books have also been highly commended by organizations such as the Asian Pacific American Librarians Association, the Jane Addams Children’s Book Award Committee, the Cooperative Children’s Book Center, Bank Street, Booklist, and School Library Journal. Linda Sue’s texts include various genres and address multiple audiences – she has written picture books, poetry, historical fiction, contemporary fiction, and books in the 39 Clues series and short stories in Click and The Chronicles of Harris Burdick. Her stories celebrate Korean food and the beauty of Korean celadon in Bee-Bim-Bop and A Single Shard. They reveal the painful histories of the Korean War and Japanese colonialism in Keeping Score and When My Name was Keoko. She has introduced readers to “Lost Boys” and the wonderful Water for Sudan project in A Long Walk to Water and to the many different sounds made by animals from all over the world in Mung Mung: A Foldout Book of Animal Sounds. Just as Mung Mung shows both the differences and commonalities of animals from different parts of the world, Linda Sue loves how all her stories make connections. She emphasizes the connectivity and connective role of her work in bridging relationships between people and places and time periods. For example, her stories have brought all of us – readers of different ages and backgrounds and from different parts of the children’s literature universe – here in one place at the Kerlan today.

Here, to the Kerlan, Linda Sue is both generous and thorough. At one book signing she mentioned that she had 37 complete drafts of When My Name was Keoko on her computer. While I’m not sure all 37 made it into the Kerlan Collection, Linda Sue’s generosity to the Kerlan is remarkable. One of my favorite things to read in the Kerlan’s author files is the correspondence between author and editor because you learn so much about the author and how her work developed. Linda Sue’s correspondence begins with her very first rejection letter, and you can trace her confidence and feel her persistence as you read through her very polite and ever optimistic exchange with her editor. We are fortunate to have Linda Sue’s files here at the Kerlan because through her documents we can learn more about the development of her unique contribution to children’s literature.

Readers might be surprised to know that Linda Sue had to herself learn about Korean history before writing her stories. Having grown up in an immigrant family that emphasized English and Americanization, she started learning about Korean culture because she wanted to teach her children about their heritage. She was so intrigued that she started writing about it, and conducted meticulous research in preparation. Thanks to Linda Sue’s hard work and talent, one million Korean American children can see mirrors of their own lives and understand the history and culture of their parents and grandparents, while millions more have opportunities to learn about a culture and history other than their own. As a child, I may have never seen a Korean person in literature, but my daughter’s generation will see many reflections of our culture, thanks to writers such as Linda Sue Park, An Na, Paula Yoo, David Yoo, Derek Kirk Kim, and Marie Lee.

I’d like to end my introduction with a story: A few years ago I was at the HarperCollins breakfast at ALA, and across from me sat Kadir Nelson and 2 women. Of course I kept sneaking looks because there sat Kadir Nelson, and I was surprised that the ladies were whispering and looking back at me. At the end of the breakfast, the ladies came over and gushed about how much they loved my books. I was surprised and confused because the book I co-edited with Jamie Naidoo hadn’t come out yet. They kept showering me with compliments, and a few minutes into it one of the ladies looked down at my nametag and said, “Oh, Sarah Park. We thought you were Linda Sue Park!”

Friends, colleagues, and readers of all ages, please help me welcome our 2014 Kerlan Award winner, the real Linda Sue Park.



Dr. Christine Jenkins at St. Kate’s

ON BEYOND STONEWALL: Young Adult Literature with LGBTQ Content

Throughout its history young adult literature has offered too little representation of diversity in terms of its characters, setting, plot, and other narrative elements. The U.S. population has become more diverse by the day, yet white, middle-class, suburban-dwelling heterosexuals have continued to dominate all genres of YA literature. In her germinal work Shadow and Substance (NCTE) Rudine Sims Bishop was among the first to document the changing representations of African American characters in literature for youth. Since then – thanks in large part to the appearance of the ‘new realism’ in young adult fiction in the late 1960’s — other non-mainstream groups have slowly begun to appear in YA fiction.

The first young adult novel with LGBT content was published in 1969, the same year that the Stonewall riots marked the birth of the gay liberation movement. Lesbian, gay, bisexual, transgendered, queer and questioning (LGBTQ) people have come a long way since 1969, but depictions of LGBTQ people in literature for teen readers have moved at a glacial pace, going from invisibility to stereotypes to (finally) realistic characters portrayed with some degree of frequency, authenticity, and art.

Jenkins’ presentation will trace the roots of the literature, describe early work in the newly realistic world of 1960’s -‘70’s literature and examine the genre’s evolution through the 1980’s and ‘90’s. She will describe broad themes in this literature and highlight some milestone works and exemplars (both positive and negative) among individual titles published during this period.

During her presentation, Dr. Jenkins will

  • trace the roots of the literature
  • describe early work in the newly realistic world of 1960’s -‘70’s literature
  • examine the genre’s evolution through the 1980’s and ‘90’s
  • describe broad themes in this literature
  • highlight milestone works and exemplars (both positive and negative).

Q&A and reception to follow.

Highlights & Handouts

  • YALSA brochures and posters
  • LGBTQ book display
  • YA reading lists
  • Networking opportunities

 Dr. Christine Jenkins is an associate professor at the Graduate School of Library and Information Science at the University of Illinois at Urbana-Champaign. Her research includes:

  • YA literature with LGBTQ content
  • Representations of the “other” in YA literature
  • Censorship and intellectual freedom

October 3, 2011 • 6.30-8.00 PM
St. Catherine University Recital Hall

2004 Randolph Ave., St. Paul, MN 55105
(#24 on the campus map • enter gate #3 • parking free after 5p)

Contact Dr. Sarah Park | | 651.690.8791

Download the official SCU YALSA flyer

The event is free and open to the public.


Lots and lots of good news lately. First, we (and by we I mean me, my awesome graduate assistant, and a host of dedicated Asian Pacific American librarians) have been working super hard on the ALA Family Literacy Focus APALA children’s literature bibliography! It’s coming along pretty well, and I’m excited to see our final product.

Second, APALA has announced the winners of the 2010 APALA Literature Awards! The official announcement is posted at the ALA website. Congratulations to the winners! Tofu Quilt is my personal favorite 🙂 Yay for literacy!

And third, today I gave a presentation at my university’s first Scholars’ Circle, an event where faculty are invited to share their research projects. I was totally nervous because it was the first time I’ve shared my dissertation research with the larger faculty, but I got great feedback and made some good connections.

All in all, it’s been a great week. I love my job.

Passport to Korea

Upcoming events! Passport to Korea at the Mall of America:

Discover Korea without a passport or getting on a plane. Experience the timeless mix of rich traditional and modern culture. See Korean dancers perform dances that has originated three thousand years ago from ancient Shamanistic rituals. Be delighted with the vibrant colors as models walk the runway in Hanboks, traditional Korean dresses which were worn as semi-formal or formal wear during the festivals and celebrations. In addition, there will be performance of Gayageum strings (traditional string instrument of Korea), demonstration of Taekwondo and high energy break dancing by the world famous B-boys.

This event is sponsored by the Korean Ministry of Culture, Sports and Tourismand the Network of Professional Adopted Koreans, a Minneapolis, MN based nonprofit organization.

Thursday, April 23
6 p.m.- 8p.m.

Friday, April 24-Sunday, April 26
12 p.m.- 6 p.m.

Best Buy® Rotunda 

See the website here.